Inklinacje, refleksje, niedopowiedzenia w muzyce Katarzyny Kwiecień-Długosz. Szkic o kompozytorce z Zielonej Góry

ABSTRACT Female composers occupy and important visible place in Poland’s contemporary musical culture, which they co-create thanks to their versatile activity (creative, organisational, didactic). They include Katarzyna Kwiecień-Długosz (b. 1978), a composer from Zielona Góra with substantial oeuvre (67 works), who for some time has devoted herself carillon music (e.g. Epitafium Paweł Adamowicz). an excellent compositional technique is master of the form, structure based on fluctuation tensions releases easily discernible listeners. For eighteen years composing been piece artistic reportage her life, signalled three scenes oeuvre. The first—Inclinations — suggests artist’s predilection musical-technical issues (including “translating” techniques, e.g. Memories VN cello piano). second Reflections presents therapeutic objective composed music, seemingly defined titles author’s commentary, but opening itself up listener very emotional layer Punctum string orchestra). third Understatements reveals composer’s introvert contemplative nature Ad fontes carillon). initiator organiser series chamber academic concerts presenting oeuvres artists University Góra, Poznań Academy Music Szczecin Art. She includes students this type activity, thus safeguarding further development culture.